Craft

Made in our own workshop, by people who will also fit it.

Five disciplines under one roof at Idu. Each is a trade in its own right; together they are how a building gets finished rather than merely completed.

Iroko, air-dried eighteen months before it reaches the bench.

Why a builder keeps a workshop

Every builder in Abuja subcontracts the finishing. It is cheaper on paper, and it is where almost every building goes wrong. The joiner measures after the plasterer has left; the plasterer plastered to a line the electrician has since moved. By the time the client sees the gap, three companies are explaining why it is not theirs.

We keep a workshop so that the people making the door are looking at the same drawing as the people forming the opening, and reporting to the same site manager. It costs us more. It saves the client the gap.

The workshop also sets the standard for the site. A team that has just spent a week hand-finishing an iroko table does not pour a careless slab the next morning. The finish, in the literal sense, becomes the foundation of how everything else gets done.

Five disciplines

What the workshop makes

01

Joinery

Doors, screens, kitchens, wardrobes, tables and stairs, in solid iroko and mahogany with afara for painted work. Jointed, not screwed, so it can be taken apart and repaired.

Timbers
Iroko, mahogany, afara, obeche for drawer boxes
Finish
Hand-rubbed hardwax oil, or lime-based paint on afara
Typical lead time
6–10 weeks from approved drawings
Fitting
Our own fitters, never a third party

02

Terrazzo, screed & stone

Floors cast in place and ground back over three days, steps and worktops cast in the workshop, polished screed for larger commercial floors. Cool under foot, and they get better with age.

Aggregate
Local granite and marble chip, brass or iroko dividing strips
Pigment
Natural oxides; laterite for the warm tones
Typical lead time
Cast in sequence with the build programme
Care
Sealed at handover; re-seal every three to five years

03

Brass & metalwork

Handles, pulls, stair nosings, balustrades, edge trims and the odd light fitting. Unlacquered, so it darkens where it is touched and stays bright where it is not.

Materials
Solid brass, blackened mild steel for structure
Finish
Brushed and left to patina, or hot-waxed
Typical lead time
3–5 weeks
Proportion
Sparingly. Brass is the accent, never the surface

04

Lime & earth finishes

Limewash, lime render, clay plaster and laterite-pigmented render. Breathable walls that do not trap Abuja's humidity behind a plastic skin, and that can be patched invisibly.

Systems
Three-coat lime render, five-coat limewash, tadelakt for wet rooms
Colour
Earth pigments mixed on site; sample panels before any wall
Typical lead time
Applied over 2–3 weeks; cures for a further 4
Care
Re-wash every 8–10 years. No repainting

05

Glazing & screens

Timber-framed windows, sliding screens and louvres, glazed in our workshop and fitted by the joiners who made them. Designed for cross-ventilation before air conditioning.

Frames
Iroko, with brass or stainless running gear
Glass
Laminated or low-E double units, sourced in Lagos
Typical lead time
8–12 weeks
Screens
Louvred, slatted or perforated to a drawn pattern

Materials library

Come and hold it before you choose it.

We keep a library of every timber, terrazzo mix, brass finish and lime colour we work with. Samples are large enough to judge in daylight and heavy enough to feel. No finish should ever be chosen from a screen. Bring your architect; bring your children.

Book a visit

What we hold to

Five values, defined as behaviour.

Values are worthless as decoration. These are written as things we do, so they can be used to hire, to review work and to settle an argument on site.

Precision
We measure twice. Tolerances, alignments and junctions are treated as the product, not the afterthought.
Integrity
We say what we will do, and we do what we said, at the price we quoted. Problems are reported the day they arise.
Restraint
Quality does not need to announce itself. We remove what is unnecessary, and build work that ages well rather than dating fast.
Mastery
We invest in craft — people, tools and technique — and we keep it in-house rather than buying it in at the end.
Stewardship
We build for the decades and for the people who will live in what we make. Materials are chosen for Nigeria's climate, and you get maintenance guidance at handover.

The workshop

Idu, Tuesday to Saturday

Fourteen people work at the bench: master joiners, two terrazzo casters, a brass finisher, three apprentices and a foreman who has been with the company since the first project. We train apprentices for three years and keep the ones who want to stay.

Clients are welcome to visit while their work is being made. Most do, once. Some come back every week.

“You cannot finish well what you did not build with the finish in mind.”

Workshop foreman

Our position

We build for the people who will live with the result.

In a country where too much is built quickly and finished badly, we chose the harder road. We keep our carpenters, our metalworkers and our masons under our own roof, because the finish is not the last five per cent of a building. The finish is the foundation. It is where trust is kept or lost.

We believe quality is quiet. It does not need to shout, sparkle or over-promise. It shows in a door that closes on a whisper, a stair that does not creak in ten years, a wall that is true from corner to corner.

We believe in saying what we will do, and doing exactly that. One proposal, one price, one standard, one accountable team. If something goes wrong, you will hear it from us first.

We believe Nigeria deserves buildings that last — made for our climate, our light and the way we live, with materials chosen for the decades rather than the photograph.

We are Amazeno Craftsmanship. We build the structure and we make the details, so that what you were promised is what you come home to.

Commission a piece

Joinery and finishes are available on their own, not only as part of a build.

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